Greek Texts & Translations

There are in a temple standing images of Asclepius, and elsewhere images of Serapis and of Isis, these too being of Pentelic marble. They worship most devoutly the Heavenly Goddess, but human beings must not enter her sanctuary. But into the sanctuary of the goddess they surname Syrian they enter on stated days, but they must submit beforehand to certain customary purifications, especially in the matter of diet.

I remember observing at Aegeira a building in which was an image of Fortune carrying the horn of Amaltheia. By her side is a winged Love, the moral of which is that even success in love depends for mankind on fortune rather than on beauty. Now I am in general agreement with Pindar's ode, and especially with his making Fortune one of the Fates, and more powerful than her sisters. ^note

In this building at Aegeira is also an old man in the attitude of a mourner, three women taking off their bracelets, and likewise three lads, with a man wearing a breastplate. They say that in a war of the Achaeans this last man fought more bravely than any other soldier of Aegeira, but was killed. His surviving brothers carried home the news of his death, and therefore in mourning for him his sisters are discarding their ornaments, and the natives call the father Sympathes, because even in the statue he is a piteous figure.

There is a straight road from the sanctuary of Zeus at Aegeira, passing through the mountains and steep. It is forty stades long, and leads to Phelloe, an obscure town, which was not always inhabited even when the Ionians still occupied the land. ^note The district round Phelloe is well suited for the growth of the vine; the rocky parts are covered with oaks, the home of deer and wild boars.

You may reckon Phelloe one of the towns in Greece best supplied with flowing water. There are sanctuaries of Dionysus and of Artemis. The goddess is of bronze, and is taking an arrow from her quiver. The image of Dionysus is painted with vermilion. On going down from Aegeira to the port, and walking on again, we see on the right of the road the sanctuary of the Huntress, where they say the goat crouched.

The territory of Aegeira is bounded by that of Pellene, which is the last city of Achaia in the direction of Sicyon and the Argolid. The city got its name, according to the account of the Pellenians, from Pallas, who was, they say, one of the Titans, but the Argives think it was from Pellen, an Argive. And they say that he was the son of Phorbas, the son of Triopas.

Between Aegeira and Pellene once stood a town, subject to the Sicyonians and called Donussa, which was laid waste by the Sicyonians;it is mentioned, they say, in a verse of Homer that occurs in the list of those who accompanied Agamemnon:— And the men of Hyperesia and those of steep Donoessa.
Hom. Il. 2.573They go on to say that when Peisistratus collected the poems of Homer, which were scattered and handed down by tradition, some in one place and some in another, then either he or one of his colleagues perverted the name through ignorance.

The port of Pellene is Aristonautae. Its distance from Aegeira on the sea is one hundred and twenty stades, and to Pellene from this port is half that distance. They say that the name of Aristonautae ^note was given to that port because it was one of the habors into which the Argonauts entered.

On the way to the city, close up to it, is a temple of Athena, built of local stone, but the image is of ivory and gold. They say that Pheidias made it before he made the images of Athena on the Athenian acropolis and at Plataea. The people of Pellene also say that a shrine of Athena sinks deep into the ground, that this shrine is under the pedestal of the image, and that the air from the shrine is damp, and consequently good for the ivory.